Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Newman, William S. | Styles and touches in Bach's keyboard music. Chicago: Summy Publ. 1956, 11p. (= Summy Piano teaching pamphlet, 8) |
|
| | 1956 |
11p |
|
| 2. | Newman, William S. | The Sonata in the Baroque Era. Chapel Hill, North Carolina Univ. Press; Oxford Univ. Press, 1959. xvii, 447p. - New York: Norton, 4/1983. |
|
| | 1959 |
xvi, 447p |
|
| 3. | Newman, William S. | Further on the Hughes Edition of Bach. [discusses Edwin Hughes' edition of Bach's Well-Tempered Clavier, incl. Hughes' editorial handling of the ornaments] |
AmerMTeacher |
4 | 5 | May-Jun 1955 |
4, 19 |
|
| 4. | Newman, William S. | The Instrumental Background of the Early Baroque Sonata. Abstract of Paper Read before Greater New York Chapter on October 29th, 1943. |
BulAMSoc |
| 9-10 | Jun 1947 |
6-8 |
|
| 5. | Newman, William S. | Three musical intimates of Mendelssohn and Schumann in Leipzig: Hauptmann, Moscheles, and David. |
[ce]MendelssohnSchumann |
| | 1984 |
87-98 |
|
| 6. | Newman, William S. | Is there a rationale for the articulation of J. S. Bach's string and wind music? |
[gs]Haydon |
| | 1969 |
229-244 |
|
| 7. | Newman, William S. | Some Familiar Questions of Performance Practices in Bach's Keyboard Music. [Abstract] Read in Chapel Hill, N. C., on December 7, 1955, at a meeting of the Southeastern Chapter. |
JAMSoc |
9 | 1 | Spring 1956 |
59-60 |
|
| 8. | Newman, William S. | Emanuel Bach's Autobiography. |
MQ |
51 | 2 | Apr 1965 |
363-372 |
|
| 9. | Newman, William S. | The Bach trill, once more yet again still. |
PianoTeacher |
4 | 6 | 1962 |
20-21 |
|
| 10. | Newman, William S. | The Keyboard Sonatas of Bach's Sons. Pittsburgh, Pa., 1951 |
ProceedMTeachersNationAssoc |
| | 1951 |
|
|